A short artist book on blot art and changing historical 'psychological impressionism', understanding the value of memory, symmetry, shapes, concepts of perception, life and form, ideas of reality, by looking at what abstracts memory. After a long world of false psychological impressionism forming the reality of lines, blot art is similar to the hard to define lines of reality. In a way, this is like the reality of this blot art, an easy to understand abstract image looking at ideas of bunnies, and smaller fractals like a lamp, one I theorize as a recursive of reality, and also a blackwork/linework style art often seen in tattoos. As an artist using multiple methods of art, I understand this as a piece of deep subjection of life, one that can both understand how to abstract, and make interpretations of reality. Instead of always seeming things as negative, or one way, it expresses not just the actual deep connections, but trying to make the contemporary revolution of making personal, subjective experience a positive experience. Knowing there is much wrong, technological and animalistic science that fails humanistic view, value, abstraction, theorizing, and method, this is an advocate to change this by being a simple example that can stand against it, abstracting it's 'reality'. This art style looks also like the kind of style of art used to interpret or look at the mind, 'scanning' the world in a sort of fluid motion. Defining these lines, I can define what it feels like to imagine, or to feel, that all things must experience, and use dimensionsal research in my work, to advocate for art that understandings emotions and feelings, life, and existential crises of art and intersecting science, and life defintions.
 
While it is also using a method that looks like it, it isn't the same, instead, looking at how method in the world can example a method, but not taken into account all of the true realities. The image of 'blot art, ink art, parallel, etc', defined like this, itself is an implosion of an imaginary world, but the universally imposed, impositional to itself, instead of one that can be utilized. Constantly facing wrong perspectives, I compare this idea to question why, in all of the 'abstractions' of science, does science misuse art, art definitions, concepts, critiques, critical impressions, that define the way we create, can creative, look at, experience, or define reality. In the definition of my work, I look at the way different lines, shapes, geometry, even color, and other forms, define reality, and how phenomena occurs and is founded by that. This looks at the way different interpretations of lines are made, and critizes the ones that are very far from it, and against it, like the scientific failures to define what is real, failing objectivity bringing to light the real experience and life, like The Bunny Lamp. An interpretative title, the ideas surround the technological, animalistic, creative & intellectual bounds of the surfacing mind & life we have as experience. As an advocacy for animal rights, humanism, truth and fact, experience and the mind, it is challenging the ways that interpretive structure failed leads to critical structure misused.
To surface a contemporary revolution of understanding, from art, to science, the experiential perspective is distraught from centering on the self and life in actuality, and the reality, can be changed when it removes the false 'impressionism' faced with contemporary realism.